Descripción
Analyzes major Italian films and filmmakers from the post-World War II era, examining how they used poetic imagery and sound to express societal changes. Covers directors like Fellini, Antonioni, Rossellini, Visconti, and others, analyzing films such as La dolce vita, Viaggio in Italia, and Death in Venice. Explores how Italian cinema of this period reflected themes of isolation, frivolity and individualism in modern life through innovative narrative and cinematic techniques.
